The workaround is to ask EDIUS to build proxy clips-which will drop frames-and go have lunch while it does them. If you try to edit very high-res multi-cam (say, four or five 4K sources), EDIUS will grind slower than Treebeard the Ent on Thorazine on all but the most hot-rodded hardware. Similarly, EDIUS has one of the most straightforward multi-cam interfaces around, likely another outflow of the Grass Valley switcher birthright. ![]() In a duel between EDIUS and Lightworks for which boasts the least complicated pro-level NLE, it’d be hard to pick a winner. The simplicity of the interface is another plus for EDIUS. When they say “Edit Anything,” they mean it. ![]() EDIUS excels at scaling, sizing and cropping. There have never been more different video formats than right now. ![]() When integrated with Grass Valley’s STRATUS media management tools, EDIUS probably offers the fastest inter-format editing solution around. It is at home in broadcast and high-end post-production environments. ![]() In 2002, Grass Valley Group was bought by Thomson Multimedia of France (later to be renamed Technicolor) in 2005 Thomson acquired Canopus, bringing a non-linear editor to the grand Grass hardware heritage.
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